In 1960, Kirk Douglas had helped to break the Hollywood Blacklist with "Spartacus" by publicly crediting then-blacklisted writer Dalton Trumbo as the screenwriter. But in 1969, he found himself working with a director who had been anything but helpful to his Hollywood colleagues during the height of McCarthyism. Sadly, this team-up between Douglas and director Elia Kazan also had the unfortunate distinction of being one of the Greek-American filmmaker's most derided films.
"The Arrangement" currently has a 15% rating on Rotten Tomatoes, which should tell you pretty much all you need to know about how this ill-fated drama was received upon release. The film is an adaptation of Kazan's own 1967 novel of the same name and follows LA advertising executive Evangelos Topouzoglou/Eddie Anderson (Douglas) as he endures a protracted nervous breakdown (which is what watching this incredible trailer feels like). Critics at the time were merciless with their condemnation of Kazan's film,...
"The Arrangement" currently has a 15% rating on Rotten Tomatoes, which should tell you pretty much all you need to know about how this ill-fated drama was received upon release. The film is an adaptation of Kazan's own 1967 novel of the same name and follows LA advertising executive Evangelos Topouzoglou/Eddie Anderson (Douglas) as he endures a protracted nervous breakdown (which is what watching this incredible trailer feels like). Critics at the time were merciless with their condemnation of Kazan's film,...
- 6/9/2024
- by Joe Roberts
- Slash Film
The Hollywood Blacklist ruined dozens of lives. United States-based artists who were sympathetic to, or even curious about, communism were demonized as traitors to their country and, due to hysterical pressure from The House Committee on Un-American Activities (aka Huac), banned from working in the industry. Disgraced and unemployed, blacklisted individuals were forced to leave the country if they wanted to continue working or, if they could not afford to relocate, find a line of work where being an alleged communist wasn't frowned upon. This latter option was, of course, dismally unlikely. The mental and financial burden of being completely shunned from one's industry was so unbearable that it led actor Philip Loeb to die by suicide.
This put Hollywood at war against itself. Anyone suspected of having communist ties was pressured to come clean and, if they wanted to continue working, name names (a cowardly practice savaged by films...
This put Hollywood at war against itself. Anyone suspected of having communist ties was pressured to come clean and, if they wanted to continue working, name names (a cowardly practice savaged by films...
- 5/25/2024
- by Jeremy Smith
- Slash Film
Before he even had a dozen movies on his directing resume, Elia Kazan had seen nine different actors to Oscar victories. Nearly seven decades later, he remains one of only two filmmakers associated with that many or more winning performances (along with William Wyler) and one of four responsible for at least one victor in each of the four acting categories. Check out our complete photo gallery of Oscar-winning turns in Kazan films, which also includes a rundown of the unsuccessful nominees directed by him.
Between 1945 and 1976, Kazan directed 19 narrative feature films, 13 of which earned a collective total of 59 Oscar nominations and 21 wins. Prior to his death in 2003, he was personally recognized seven times across three categories, winning Best Director for “Gentleman’s Agreement” (1948) and “On the Waterfront” (1955). He also received an honorary award in 1999 “in appreciation of a long, distinguished and unparalleled career.”
The performances included in this gallery are listed in chronological order,...
Between 1945 and 1976, Kazan directed 19 narrative feature films, 13 of which earned a collective total of 59 Oscar nominations and 21 wins. Prior to his death in 2003, he was personally recognized seven times across three categories, winning Best Director for “Gentleman’s Agreement” (1948) and “On the Waterfront” (1955). He also received an honorary award in 1999 “in appreciation of a long, distinguished and unparalleled career.”
The performances included in this gallery are listed in chronological order,...
- 3/22/2024
- by Matthew Stewart
- Gold Derby
Before he even had a dozen movies on his directing resume, Elia Kazan had seen nine different actors to Oscar victories. Nearly seven decades later, he remains one of only two filmmakers associated with that many or more winning performances (along with William Wyler) and one of four responsible for at least one victor in each of the four acting categories. Check out our complete photo gallery of Oscar-winning turns in Kazan films, which also includes a rundown of the unsuccessful nominees directed by him.
Between 1945 and 1976, Kazan directed 19 narrative feature films, 13 of which earned a collective total of 59 Oscar nominations and 21 wins. Prior to his death in 2003, he was personally recognized seven times across three categories, winning Best Director for “Gentleman’s Agreement” (1948) and “On the Waterfront” (1955). He also received an honorary award in 1999 “in appreciation of a long, distinguished and unparalleled career.”
The performances included in this gallery are listed in chronological order,...
Between 1945 and 1976, Kazan directed 19 narrative feature films, 13 of which earned a collective total of 59 Oscar nominations and 21 wins. Prior to his death in 2003, he was personally recognized seven times across three categories, winning Best Director for “Gentleman’s Agreement” (1948) and “On the Waterfront” (1955). He also received an honorary award in 1999 “in appreciation of a long, distinguished and unparalleled career.”
The performances included in this gallery are listed in chronological order,...
- 3/22/2024
- by Matthew Stewart
- Gold Derby
Since 2018 (and in 63% of all years since 1937), Oscar voters have consistently favored supporting actresses who deliver shorter performances than their male counterparts. Indeed, the average screen time gap between the last six pairs of featured acting winners is 28 minutes and 14 seconds, with reigning male champ Ke Huy Quan (“Everything Everywhere All at Once”) having been lauded for a performance three times larger than that of his triumphant female cast mate, Jamie Lee Curtis. At just 17 minutes and 15 seconds, hers falls within the shortest quarter of all Best Supporting Actress-winning turns.
Curtis’s performance is the fifth longest in her movie, with non-Oscar nominee James Hong directly outpacing her by two minutes and 22 seconds. A full 25 minutes separate her from fellow supporting actress Stephanie Hsu, who she defeated at both the Screen Actors Guild and Academy Awards. Considering all 87 featured female performances that have won Oscars, hers is the 20th shortest in terms of physical time,...
Curtis’s performance is the fifth longest in her movie, with non-Oscar nominee James Hong directly outpacing her by two minutes and 22 seconds. A full 25 minutes separate her from fellow supporting actress Stephanie Hsu, who she defeated at both the Screen Actors Guild and Academy Awards. Considering all 87 featured female performances that have won Oscars, hers is the 20th shortest in terms of physical time,...
- 2/28/2024
- by Matthew Stewart
- Gold Derby
Since the beginning of the Academy Awards in the late 1920s, Hollywood filmmakers have been making socially conscious films. Many of the best of those have scored the film town’s top honor — Oscar best picture.
This year, that winner could be “Oppenheimer,” a film that boldly and starkly dramatizes the creation of man’s most dangerous invention: atomic weapons.
It could be “Killers of the Flower Moon,” a film that brought a lost and dreadful piece of American history into the sunlight of the Cannes Film Festival and ultimately the spotlights of awards season.
It could be either “Barbie” or “Poor Things,” two of the wildest, most colorful and inventive investigations of feminist and/or post-feminist womanhood to ever hit the big screen.
It could be “American Fiction,” a wry and witty look at Black American middle-class identity and family relations under preposterous, dispiriting cultural pressures.
But will the...
This year, that winner could be “Oppenheimer,” a film that boldly and starkly dramatizes the creation of man’s most dangerous invention: atomic weapons.
It could be “Killers of the Flower Moon,” a film that brought a lost and dreadful piece of American history into the sunlight of the Cannes Film Festival and ultimately the spotlights of awards season.
It could be either “Barbie” or “Poor Things,” two of the wildest, most colorful and inventive investigations of feminist and/or post-feminist womanhood to ever hit the big screen.
It could be “American Fiction,” a wry and witty look at Black American middle-class identity and family relations under preposterous, dispiriting cultural pressures.
But will the...
- 2/16/2024
- by Steven Gaydos
- Variety Film + TV
Christmas movies are one of the most beloved genres in cinema history with every film fan having their own select favorite that they watch and rewatch every year. However, while the genre is treasured, the Oscars haven’t rewarded it as much as you might think or hope. There are several movies, however, that have found their way into Oscars lineups. We’ve detailed just five of those Christmas movies that have managed Oscar nominations or wins.
By the way, “The Apartment” is not included on this list (but might be in a future article). The Billy Wilder movie won five Academy Awards including Best Picture (1961) but there seems to be debate around whether it actually qualifies as a Christmas movie or not. It’s set during the holiday period, but some feel that isn’t enough for it to be an out-and-out Christmas movie. Perhaps that’s one for our forums.
By the way, “The Apartment” is not included on this list (but might be in a future article). The Billy Wilder movie won five Academy Awards including Best Picture (1961) but there seems to be debate around whether it actually qualifies as a Christmas movie or not. It’s set during the holiday period, but some feel that isn’t enough for it to be an out-and-out Christmas movie. Perhaps that’s one for our forums.
- 12/14/2023
- by Jacob Sarkisian
- Gold Derby
Since 2012, revered filmmaker Martin Scorsese has belonged to a select group of three-time Best Director Golden Globe winners that grew to include six members when Steven Spielberg took last year’s prize for “The Fabelmans.” Over a decade later, the ever-active octogenarian has a strong chance at rising above his fellow triple champs by achieving another directing victory for “Killers of the Flower Moon,” thus following Elia Kazan as the second quadruple honoree in this category’s 81-year history. Since this would be his 10th time competing here, he would also join Spielberg in the rare distinction of having double-digit directing mentions.
Scorsese earned his first Golden Globe Award in 2003 for “Gangs of New York” (on his sixth bid) and was then further lauded for “The Departed” (2007) and “Hugo” (2012). His remaining half dozen directing notices came for his work on “Raging Bull” (1981), “Goodfellas” (1991), “The Age of Innocence” (1994), “Casino” (1996), “The Aviator...
Scorsese earned his first Golden Globe Award in 2003 for “Gangs of New York” (on his sixth bid) and was then further lauded for “The Departed” (2007) and “Hugo” (2012). His remaining half dozen directing notices came for his work on “Raging Bull” (1981), “Goodfellas” (1991), “The Age of Innocence” (1994), “Casino” (1996), “The Aviator...
- 12/7/2023
- by Matthew Stewart
- Gold Derby
The co-creator of the popular Netflix show Fauda, which depicts the conflicts and challenges of a fictional elite Israeli special forces unit, once had an idea for a storyline in which hundreds of Hamas terrorists infiltrate Israel and overwhelm a village. But, as Avi Issacharoff told a reporter, he decided not to go with it because “it sounds crazy” and wouldn’t be realistic.
If only that were true.
On Oct. 7, what was seen as “crazy” to some of world’s most creative screenwriters came to life in 22 kibbutzim and villages across southern Israel. Hamas terrorists infiltrated by air, sea, and land with one intent: To kill as many Jews as possible. By the time they were driven out, more than 1,400 people were dead — 1,200 of them civilians, and 30 of them Americans. Nearly 200 people, including babies, the elderly and the disabled were kidnapped and taken to Gaza, a war crime and a moral travesty.
If only that were true.
On Oct. 7, what was seen as “crazy” to some of world’s most creative screenwriters came to life in 22 kibbutzim and villages across southern Israel. Hamas terrorists infiltrated by air, sea, and land with one intent: To kill as many Jews as possible. By the time they were driven out, more than 1,400 people were dead — 1,200 of them civilians, and 30 of them Americans. Nearly 200 people, including babies, the elderly and the disabled were kidnapped and taken to Gaza, a war crime and a moral travesty.
- 10/19/2023
- by Jonathan A. Greenblatt
- The Hollywood Reporter - Movie News
Years after his death in 2003, two-time Oscar-winning director Elia Kazan remains both an influential and controversial figure, respected and reviled in equal measure. Let’s take a look back at 15 of his greatest films, ranked worst to best.
Kazan started his career as a stage actor, soon transitioning into directing. He mounted several landmark productions, including the original run of “A Streetcar Named Desire.” Throughout his career he received three Tony awards for Best Director of a Play: “All My Sons” in 1947, “Death of a Salesman” in 1949, and “J.B.” in 1959.
He transitioned into filmmaking with “A Tree Grows in Brooklyn” (1945). Two years later, he won his first Oscar for Best Director for “Gentleman’s Agreement” (1947), which also took home Best Picture and Best Supporting Actress (Celeste Holm). A taboo-shattering drama about antisemitism, the film established Kazan as a director drawn towards contemporary, hot-button topics.
Kazan scored his second Best Director...
Kazan started his career as a stage actor, soon transitioning into directing. He mounted several landmark productions, including the original run of “A Streetcar Named Desire.” Throughout his career he received three Tony awards for Best Director of a Play: “All My Sons” in 1947, “Death of a Salesman” in 1949, and “J.B.” in 1959.
He transitioned into filmmaking with “A Tree Grows in Brooklyn” (1945). Two years later, he won his first Oscar for Best Director for “Gentleman’s Agreement” (1947), which also took home Best Picture and Best Supporting Actress (Celeste Holm). A taboo-shattering drama about antisemitism, the film established Kazan as a director drawn towards contemporary, hot-button topics.
Kazan scored his second Best Director...
- 9/1/2023
- by Zach Laws and Chris Beachum
- Gold Derby
Born Robert Dean Stockwell, he was an American actor known for his film, television, and stage work. His acting career kicked off at a young age, and he went on to appear in a number of classic films in the 1940s and 50s. Some include The Boy With Green Hair, Kim, and Gentleman’s Agreement. In addition to his work in film, Stockwell had a successful TV career. He’s well known for his role on the TV show Quantum Leap from 1989 to 1993. After a decorated career, Stockwell retired from acting in the mid-2000s and passed away on March 7, 2021.
- 4/17/2023
- by Ascent Samuel
- TVovermind.com
Opening night of the 14th TCM Classic Film Festival in Hollywood brought out not only the lustrous 4D restored Howard Hawks classic western “Rio Bravo” — starring John Wayne, Dean Martin, and Angie Dickinson, 91, who was on hand — but two directors and board members of Martin Scorsese’s Film Foundation, Steven Spielberg and Paul Thomas Anderson. They extolled Scorsese’s foresight and ongoing commitment to preserving and saving the original celluloid elements of classic films so that restorations like this one can occur.
“David and Warner Bros have their own archivists and they have titles they’d like from the Warner Bros. archive to be preserved,” said Spielberg explaining how titles are chosen, nearly 1000 since 1990 to date. “And every studio does have that but we try to find the films, not the films that are our favorite movies, but films that tell a very unique story of this country and the people of this country,...
“David and Warner Bros have their own archivists and they have titles they’d like from the Warner Bros. archive to be preserved,” said Spielberg explaining how titles are chosen, nearly 1000 since 1990 to date. “And every studio does have that but we try to find the films, not the films that are our favorite movies, but films that tell a very unique story of this country and the people of this country,...
- 4/14/2023
- by Anne Thompson
- Indiewire
Four years after “Black Panther” became the first Oscar-winning film in the Marvel Cinematic Universe, “Black Panther: Wakanda Forever” cast member Angela Bassett has made history as the first person to achieve academy recognition for an MCU performance. Included among the numerous actors with whom she reunites in the 2022 sequel is Lupita Nyong’o, who first played her role of Nakia four years after earning a Best Supporting Actress Oscar for “12 Years a Slave.” If Bassett ends up prevailing in the same category this year, Nyong’o will be the 16th woman to have acted in a film that won the same Oscar she previously received.
Until this year, “12 Years a Slave” was the only acting Oscar-nominated film Nyong’o had appeared in. Two of her cast mates in the 2014 Best Picture winner – Chiwetel Ejiofor and Michael Fassbender – respectively competed for the male lead and supporting prizes but eventually...
Until this year, “12 Years a Slave” was the only acting Oscar-nominated film Nyong’o had appeared in. Two of her cast mates in the 2014 Best Picture winner – Chiwetel Ejiofor and Michael Fassbender – respectively competed for the male lead and supporting prizes but eventually...
- 3/7/2023
- by Matthew Stewart
- Gold Derby
The Best Supporting Actor Oscar category is seeing double yet again. Brendan Gleeson and Barry Keoghan received nominations as expected for their turns in Martin McDonagh‘s “The Banshees of Inisherin” on Tuesday, marking the fourth consecutive year a film has received double bids in the category.
“Banshees” is the 22nd film to achieve this, but most remarkably, five of them have occurred in the last six years after a 26-year dry spell. “Bugsy” (1991) produced noms for Harvey Keitel and Ben Kingsley, but the category went without co-star nominees until McDonagh’s “Three Billboards Outside Ebbing, Missouri” (2017) yielded bids for Sam Rockwell and Woody Harrelson. After none the following year, Al Pacino and Joe Pesci garnered comeback noms for “The Irishman” (2019). Two years ago, Oscar voters shocked us all by nominating Daniel Kaluuya and Lakeith Stanfield — you know, they who played the title characters in that two-hander “Judas and the Black Messiah” — in supporting.
“Banshees” is the 22nd film to achieve this, but most remarkably, five of them have occurred in the last six years after a 26-year dry spell. “Bugsy” (1991) produced noms for Harvey Keitel and Ben Kingsley, but the category went without co-star nominees until McDonagh’s “Three Billboards Outside Ebbing, Missouri” (2017) yielded bids for Sam Rockwell and Woody Harrelson. After none the following year, Al Pacino and Joe Pesci garnered comeback noms for “The Irishman” (2019). Two years ago, Oscar voters shocked us all by nominating Daniel Kaluuya and Lakeith Stanfield — you know, they who played the title characters in that two-hander “Judas and the Black Messiah” — in supporting.
- 1/24/2023
- by Joyce Eng
- Gold Derby
I had the pleasure of joining Kevin Jacobsen on his great podcast series "And the Runner Up Is..." for a fourth time. Kevin opted to assign me 1947 when I asked for this decade. So listen in to hear us talk about the following lineup which has two great performances, one coaster nomination, a bullet dodged, and one of my mother's favourites from her childhood.
Joan Crawford, Possessed Susan Hayward, Smash-Up: The Story of a Woman Dorothy McGuire, Gentleman's Agreement Rosalind Russell, Mourning Becomes Electra ★ Loretta Young, The Farmer's Daughter
Which of those performances do you love?...
Joan Crawford, Possessed Susan Hayward, Smash-Up: The Story of a Woman Dorothy McGuire, Gentleman's Agreement Rosalind Russell, Mourning Becomes Electra ★ Loretta Young, The Farmer's Daughter
Which of those performances do you love?...
- 4/14/2022
- by NATHANIEL R
- FilmExperience
The only woman director to work in Hollywood in the 1950s, Ida Lupino earned full marks as a creative innovator and a positive force in the industry. It was a restrictive time for the movies: politically, socially, every which way. But Lupino’s independent film about a rape victim passed through the censorship gauntlet — as long as the ‘R’ word was never spoken, of course. Mala Powers is the distraught victim who tries to run away from life in the powerful drama, which remains valid and topical.
Outrage
Region-Free Blu-ray
Viavision [Imprint]
1950 / B&w / 1:37 Academy / 75 min. / Street Date December 29, 2021, January 7, 2022 / Available from Viavision, Available from Amazon
Starring: Mala Powers, Tod Andrews, Robert Clarke, Raymond Bond, Lillian Hamilton, Rita Lupino, Hal March, Kenneth Patterson, Jerry Paris, Angela Clarke, Roy Engel, William Challee, Joyce McCluskey, Albert Mellen, Vic Perrin.
Cinematography: Archie Stout
Production Designer: Harry Horner
Film Editor: Harvey Manger
Original...
Outrage
Region-Free Blu-ray
Viavision [Imprint]
1950 / B&w / 1:37 Academy / 75 min. / Street Date December 29, 2021, January 7, 2022 / Available from Viavision, Available from Amazon
Starring: Mala Powers, Tod Andrews, Robert Clarke, Raymond Bond, Lillian Hamilton, Rita Lupino, Hal March, Kenneth Patterson, Jerry Paris, Angela Clarke, Roy Engel, William Challee, Joyce McCluskey, Albert Mellen, Vic Perrin.
Cinematography: Archie Stout
Production Designer: Harry Horner
Film Editor: Harvey Manger
Original...
- 3/22/2022
- by Glenn Erickson
- Trailers from Hell
Gregory Peck was angry. As president of the Motion Picture Academy, the star announced he would veto the admission of a new voting member on grounds that he lacked professional qualifications. The Academy was becoming too populist in 1967, he argued. It must retain its elite status.
The individual he wanted to veto was me. In retrospect I wish his ban had been successful but it was soon overturned (details below).
I wonder how Peck, as a stickler for his profession, would respond to recent Academy decisions about its show, its awards and its membership. Witness the new campaign to create an #OscarFanFavorite — a popular film to be selected by Twitter and presented by an Oscar fan. In addition, eight of the 23 awards will be presented prior to the show, then edited for later use on a streamlined live Oscarcast.
With its ever-expanding list of 10,000-plus members, these moves would suggest...
The individual he wanted to veto was me. In retrospect I wish his ban had been successful but it was soon overturned (details below).
I wonder how Peck, as a stickler for his profession, would respond to recent Academy decisions about its show, its awards and its membership. Witness the new campaign to create an #OscarFanFavorite — a popular film to be selected by Twitter and presented by an Oscar fan. In addition, eight of the 23 awards will be presented prior to the show, then edited for later use on a streamlined live Oscarcast.
With its ever-expanding list of 10,000-plus members, these moves would suggest...
- 2/25/2022
- by Peter Bart
- Deadline Film + TV
The best picture prize is what every studio and filmmaker covets, whether they publicly admit it or not. But, of course, it would help if you had the star power to make it happen. Oscar winners Leonardo DiCaprio and Cate Blanchett both have proven that they have said star power with the amount of best picture nominees (and winners) they’ve appeared in over their careers. With DiCaprio starring in “Don’t Look Up” alongside Blanchett, who is co-starring in another awards vehicle, “Nightmare Alley,” both stand a solid chance of getting close to — or possibly breaking — a record.
This year, Blanchett’s double feature outings could have her breaking a significant record for female actors. The two-time Oscar-winning actress currently has had a role in seven former Academy nominees: “Elizabeth” (1998), “The Lord of the Rings” trilogy, “The Aviator” (2004), “Babel” (2006) and “The Curious Case of Benjamin Button” (2008). She’s currently tied...
This year, Blanchett’s double feature outings could have her breaking a significant record for female actors. The two-time Oscar-winning actress currently has had a role in seven former Academy nominees: “Elizabeth” (1998), “The Lord of the Rings” trilogy, “The Aviator” (2004), “Babel” (2006) and “The Curious Case of Benjamin Button” (2008). She’s currently tied...
- 1/27/2022
- by Clayton Davis
- Variety Film + TV
Dean Stockwell, who died Sunday at 85, made every movie and television show he was in better. As an actor, he had a scurrilous twinkle that could light up a scene. He started off as a child star in films like “Gentleman’s Agreement” and “The Boy with Green Hair” — the latter of which I was shocked to discover really was about a boy with green hair (I’ve never forgotten what a poignant urchin the actor made him).
Stockwell was born in Hollywood in 1936, the same year as Dennis Hopper, and if his career had taken a slightly different turn he would have been part of the James Dean/Marlon Brando new-wave-of-Method-Hollywood rat pack. In 1959, he took on his edgiest studio-system role, playing one of the kinky killers in “Compulsion,” the drama based on the Leopold and Loeb murder case, and he wound up sharing the award for best actor at the Cannes Film Festival.
Stockwell was born in Hollywood in 1936, the same year as Dennis Hopper, and if his career had taken a slightly different turn he would have been part of the James Dean/Marlon Brando new-wave-of-Method-Hollywood rat pack. In 1959, he took on his edgiest studio-system role, playing one of the kinky killers in “Compulsion,” the drama based on the Leopold and Loeb murder case, and he wound up sharing the award for best actor at the Cannes Film Festival.
- 11/10/2021
- by Owen Gleiberman
- Variety Film + TV
Chicago – In my one encounter with Dean Stockwell back in 2013, he was properly off-kilter and amazing, as you expect from Frank in “Blue Velvet.” But Stockwell was so much more, starting as a child actor in Hollywood’s Golden Age, morphing to the hippie era and getting a major comeback with David Lynch and TV’s Quantum Leap.” He died in New York City on November 7th, 2021, at age 85.
Robert Dean Stockwell was born in North Los Angeles, and because he was a child actor he worked in the Golden Age of the 1940s Hollywood studio system. His first major role came when he was 11 years old, playing opposite Gene Kelly and Frank Sinatra in “Anchors Aweigh” (1945). He became the go-to child star in classics such as “The Boy with the Green Hair’ (1946), “Gentleman’s Agreement” (1947), “Song of the Thin Man” (1947) and “The Secret Garden” (1949), often with another child co-star (and...
Robert Dean Stockwell was born in North Los Angeles, and because he was a child actor he worked in the Golden Age of the 1940s Hollywood studio system. His first major role came when he was 11 years old, playing opposite Gene Kelly and Frank Sinatra in “Anchors Aweigh” (1945). He became the go-to child star in classics such as “The Boy with the Green Hair’ (1946), “Gentleman’s Agreement” (1947), “Song of the Thin Man” (1947) and “The Secret Garden” (1949), often with another child co-star (and...
- 11/10/2021
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Dean Stockwell in Long Day's Journey Into Night
Dean Stockwell, who was Oscar-nominated for his work in Married To The Mob, died on Tuesday 7 November, his family revealed today. In a career which lasted for 70 years, the actor won two Best Actor awards at Cannes (for Compulsion and Long Day's Journey Into Night) and played Doctor Yueh in David Lynch's version of Dune before going on to roles in Blue Velvet and Paris, Texas, but he was probably most widely loved for his appearances as Al in long-running TV series Quantum Leap.
It was Compulsion, based on the Leopold and Loeb murder case, which revived Stockwell's career after he struggled to transition from the brief stardom he enjoyed as a teenager (in which he won a special Golden Globe for his work in Gentleman's Agreement). He played a huge variety of roles over the course of his career but was particularly fond of science.
Dean Stockwell, who was Oscar-nominated for his work in Married To The Mob, died on Tuesday 7 November, his family revealed today. In a career which lasted for 70 years, the actor won two Best Actor awards at Cannes (for Compulsion and Long Day's Journey Into Night) and played Doctor Yueh in David Lynch's version of Dune before going on to roles in Blue Velvet and Paris, Texas, but he was probably most widely loved for his appearances as Al in long-running TV series Quantum Leap.
It was Compulsion, based on the Leopold and Loeb murder case, which revived Stockwell's career after he struggled to transition from the brief stardom he enjoyed as a teenager (in which he won a special Golden Globe for his work in Gentleman's Agreement). He played a huge variety of roles over the course of his career but was particularly fond of science.
- 11/9/2021
- by Jennie Kermode
- eyeforfilm.co.uk
Former Quantum Leap star Dean Stockwell, an Oscar- and Emmy-nominated actor whose career on stage, in film and TV spanned more than 70 years, died in the early morning of November 7. He died peacefully at home of natural causes, a rep for the family confirmed to Deadline. He was 85.
Stockwell was born in 1936 in North Hollywood. By the time he was 7, he was on Broadway, launching a career as a child actor. He appeared in Anchors Aweigh with Frank Sinatra and Gene Kelly; Kim with Errol Flynn; Gentleman’s Agreement, which landed him a Golden Globe Award; and, most notably, in the controversial 1948 movie The Boy with the Green Hair.
As a young adult, Stockwell returned to the Broadway stage in Compulsion with Roddy McDowall, who became a lifelong friend. Stockwell reprised his role in the film version and won his first of two Best Actor awards at the Cannes Film Festival.
Stockwell was born in 1936 in North Hollywood. By the time he was 7, he was on Broadway, launching a career as a child actor. He appeared in Anchors Aweigh with Frank Sinatra and Gene Kelly; Kim with Errol Flynn; Gentleman’s Agreement, which landed him a Golden Globe Award; and, most notably, in the controversial 1948 movie The Boy with the Green Hair.
As a young adult, Stockwell returned to the Broadway stage in Compulsion with Roddy McDowall, who became a lifelong friend. Stockwell reprised his role in the film version and won his first of two Best Actor awards at the Cannes Film Festival.
- 11/9/2021
- by Nellie Andreeva
- Deadline Film + TV
As 2021 mercifully winds down, the Criterion Channel have a (November) lineup that marks one of their most diverse selections in some time—films by the new masters Ryusuke Hamaguchi and Garrett Bradley, Dan Sallitt’s Fourteen (one of 2020’s best films) couched in a fantastic retrospective, and Criterion editions of old favorites.
Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.
See the full list of October titles below and more on the Criterion Channel.
300 Nassau, Marina Lameiro, 2015
5 Card Stud, Henry Hathaway, 1968
Alone, Garrett Bradley, 2017
Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015
America, Garrett Bradley, 2019
Angel Face, Otto Preminger, 1953
Angels Wear White,...
Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.
See the full list of October titles below and more on the Criterion Channel.
300 Nassau, Marina Lameiro, 2015
5 Card Stud, Henry Hathaway, 1968
Alone, Garrett Bradley, 2017
Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015
America, Garrett Bradley, 2019
Angel Face, Otto Preminger, 1953
Angels Wear White,...
- 10/25/2021
- by Leonard Pearce
- The Film Stage
All products and services featured by IndieWire are independently selected by IndieWire editors. However, IndieWire may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
The 93rd annual Academy Awards came and went with no shortage of excitement, and “Nomadland” became the 93rd film to be honored with the Academy’s most prestigious award, for Best Picture. You’re certainly not alone if hearing those stats made you wonder how many of the other 93 you’ve seen. The Oscars often rekindle our interest in Hollywood history, regardless of whether you’re a casual viewer or a die hard cinephile. And watching the Best Picture winners is a great way to take a crash course in film history, so we rounded up a selection of box sets for you to get started.
The awards are highly subjective, and some of the recipients inspired controversy,...
The 93rd annual Academy Awards came and went with no shortage of excitement, and “Nomadland” became the 93rd film to be honored with the Academy’s most prestigious award, for Best Picture. You’re certainly not alone if hearing those stats made you wonder how many of the other 93 you’ve seen. The Oscars often rekindle our interest in Hollywood history, regardless of whether you’re a casual viewer or a die hard cinephile. And watching the Best Picture winners is a great way to take a crash course in film history, so we rounded up a selection of box sets for you to get started.
The awards are highly subjective, and some of the recipients inspired controversy,...
- 4/29/2021
- by Christian Zilko
- Indiewire
Going once. Going twice. Sold!
Timotheé Chalamet’s costume he wore to play Harry Styles on “Saturday Night Live” has sold for $4,725 during Christine Baranski’s celebrity auction on Wednesday for The Actors Fund.
The action raised close to $140,000 for the entertainment industry non-profit.
Other big sellers included a monkey music box from “The Phantom of the Opera, Celeste Holm’s Golden Globe for her work in 1947’s “Gentleman’s Agreement”, a dress donated by Dolly Parton, Hugh Jackman’s leather Wolverine jacket and boots, jeans and a t-shirt worn by Bruce Springsteen. “Hamilton” boots used by Lin-Manuel Miranda went for $9,450.
Ahead of the auction, Baranski told Variety, “People just had to go into their closet or into a drawer and pick something out to donate. Everyone has been so generous.”
The auction was conducted by Doyle Auctioneers & Appraisers. Chalamet’s Styles costume was donated by “Saturday Night Live” boss Lorne Michaels,...
Timotheé Chalamet’s costume he wore to play Harry Styles on “Saturday Night Live” has sold for $4,725 during Christine Baranski’s celebrity auction on Wednesday for The Actors Fund.
The action raised close to $140,000 for the entertainment industry non-profit.
Other big sellers included a monkey music box from “The Phantom of the Opera, Celeste Holm’s Golden Globe for her work in 1947’s “Gentleman’s Agreement”, a dress donated by Dolly Parton, Hugh Jackman’s leather Wolverine jacket and boots, jeans and a t-shirt worn by Bruce Springsteen. “Hamilton” boots used by Lin-Manuel Miranda went for $9,450.
Ahead of the auction, Baranski told Variety, “People just had to go into their closet or into a drawer and pick something out to donate. Everyone has been so generous.”
The auction was conducted by Doyle Auctioneers & Appraisers. Chalamet’s Styles costume was donated by “Saturday Night Live” boss Lorne Michaels,...
- 4/29/2021
- by Marc Malkin
- Variety Film + TV
On Wednesday night, Nomadland took home the Best Picture award at the PGA’s virtual ceremony—a significant win on more than one level, since, in the 31 years since the PGA Awards began, it has predicted the Oscars Best Picture winner no less than 21 times. However, last year was an exception to this rule, as 1917 won at PGA but lost out to Parasite at the Oscars. So it will be very interesting to see if PGA restores their Oscar-predicting power this time around.
During the PGA show, accepting the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures, one of Nomadland‘s producers Peter Spears said via video, “In a year when we have been living such isolated lives, we were proud to make a movie about community and what connects us… You honor the entire Nomadland company with this award….[including its] community of nomads that taught us about the power of resilience,...
During the PGA show, accepting the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures, one of Nomadland‘s producers Peter Spears said via video, “In a year when we have been living such isolated lives, we were proud to make a movie about community and what connects us… You honor the entire Nomadland company with this award….[including its] community of nomads that taught us about the power of resilience,...
- 3/25/2021
- by Antonia Blyth
- Deadline Film + TV
Normal 0 false false false En-us X-none X-none
“Hate Is A Loaded Gun”
By Raymond Benson
The years of the 1940s following World War II exhibited a striking change in Hollywood movies. The moods and world outlooks of post-war GIs and the people they had left behind and to whom they returned were more reflective and serious. Awareness of societal ills that had always been with us were now at the forefront… and Hollywood stepped up to address this new American angst in the form of a) what film historians call “social problem films” that tackled issues such as alcoholism, drug addiction, anti-Semitism, racism, government corruption, and other hitherto taboos of motion pictures, and b) film noir, the gritty crime dramas that never sugar-coated anything and portrayed both men and women—the femmes fatale—as hard-boiled, cynical, and paranoid.
Two pictures were released in 1947 that tackled anti-Semitism with frank, hard-hitting realism.
“Hate Is A Loaded Gun”
By Raymond Benson
The years of the 1940s following World War II exhibited a striking change in Hollywood movies. The moods and world outlooks of post-war GIs and the people they had left behind and to whom they returned were more reflective and serious. Awareness of societal ills that had always been with us were now at the forefront… and Hollywood stepped up to address this new American angst in the form of a) what film historians call “social problem films” that tackled issues such as alcoholism, drug addiction, anti-Semitism, racism, government corruption, and other hitherto taboos of motion pictures, and b) film noir, the gritty crime dramas that never sugar-coated anything and portrayed both men and women—the femmes fatale—as hard-boiled, cynical, and paranoid.
Two pictures were released in 1947 that tackled anti-Semitism with frank, hard-hitting realism.
- 3/23/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Hollywood learns to imbed a social message into a crime thriller. John Paxton’s adaptation of Richard Brooks’ neat murder tale is solid noir because it sheds light on the malaise of returning soldiers. No parades and confetti here: Robert Ryan is the hateful bigot but the other characters live amid equally shadowy values — laid-back Robert Mitchum, unhappy bar girl Gloria Grahame. Edward Dmytryk puts a polish on a fine screenplay with a fresh viewpoint, that avoids thriller clichés.
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
- 3/20/2021
- by Glenn Erickson
- Trailers from Hell
5 random things that happened on this day, March 20th, in showbiz history...
1949 The 20th Academy Awards are held honoring the films of 1947. The anti-semitism journalism drama Gentleman's Agreement takes Best Picture with Miracle on 34th Street probably a distant second. We had so much fun discussing this year last summer and we highly recommend you watch Crossfire (which lost all five of its nominations) because it's excellent...
1949 The 20th Academy Awards are held honoring the films of 1947. The anti-semitism journalism drama Gentleman's Agreement takes Best Picture with Miracle on 34th Street probably a distant second. We had so much fun discussing this year last summer and we highly recommend you watch Crossfire (which lost all five of its nominations) because it's excellent...
- 3/20/2021
- by NATHANIEL R
- FilmExperience
Robert C. Jones, the acclaimed film editor behind 1960s and ’70s classics “Guess Who’s Coming to Dinner” and “Love Story” who garnered a screenplay Academy Award for the war drama “Coming Home,” has died. He was 84.
His daughter, Leslie Jones — who is also an Oscar-nominated film editor — confirmed to Variety that Jones died on Feb. 1 following a long illness.
“My Dad had a tremendous impact on my own editing career with whom I worked on several films as his assistant,” Leslie said in a statement. “Like Bob I did not go to film school and had no formal training in editing. But what I learned was that editing does not always require a specific skill set. He taught me that talent instead is guided by a sense of compassion, and integrity, and the search for truth and authenticity. He had all that and more.”
Throughout his career, Jones collaborated with...
His daughter, Leslie Jones — who is also an Oscar-nominated film editor — confirmed to Variety that Jones died on Feb. 1 following a long illness.
“My Dad had a tremendous impact on my own editing career with whom I worked on several films as his assistant,” Leslie said in a statement. “Like Bob I did not go to film school and had no formal training in editing. But what I learned was that editing does not always require a specific skill set. He taught me that talent instead is guided by a sense of compassion, and integrity, and the search for truth and authenticity. He had all that and more.”
Throughout his career, Jones collaborated with...
- 2/6/2021
- by Natalie Oganesyan
- Variety Film + TV
With a screen time total of 18 minutes and 36 seconds, Laura Dern’s 2020 Best Supporting Actress-winning performance in “Marriage Story” was noted for its brevity. However, it ranks as the 24th shortest to ever win in the Oscar category, proving the academy’s particular and everlasting fondness for smaller supporting female roles. Here is a look at the 10 winners with the least amount of screen time. (And here’s the equivalent list for Best Supporting Actor.)
10. Jo Van Fleet (“East of Eden”)
15 minutes, 4 seconds (12.82% of the film)
After a decade of stage acting, Tony winner Jo Van Fleet earned an Oscar for her film debut as child abandoner and brothel operator Kate Ames. Many of the votes she received were likely in honor of her body of work in 1955, since she also had roles in two other Oscar-nominated films that year (“I’ll Cry Tomorrow” and “The Rose Tattoo”). Her few scenes in “East of Eden,...
10. Jo Van Fleet (“East of Eden”)
15 minutes, 4 seconds (12.82% of the film)
After a decade of stage acting, Tony winner Jo Van Fleet earned an Oscar for her film debut as child abandoner and brothel operator Kate Ames. Many of the votes she received were likely in honor of her body of work in 1955, since she also had roles in two other Oscar-nominated films that year (“I’ll Cry Tomorrow” and “The Rose Tattoo”). Her few scenes in “East of Eden,...
- 12/22/2020
- by Matthew Stewart
- Gold Derby
“Hollywood” made sure to put the “golden” in Golden Age of Hollywood. Ryan Murphy’s reimagining of an idyllic, progressive 1940s Tinseltown is an aspirational ideal and it needed the resplendent costumes to match.
“It all started with this idea of the Golden Age of Hollywood, which informed the color palette. It was Hollywood glamour, Golden Age of Hollywood, aspirational. It started with everything being [George] Hurrell-inspired, super glamorous and everything having a golden sheen. So that was the jumping off point for our color palette,” Sarah Evelyn told Gold Derby during our Meet the Btl Experts: Costume Design panel (watch above). “It was like gold, butterscotch, caramel and sort of worked itself into the rest of the rainbow.”
Evelyn, who worked with longtime Murphy costume designer Lou Eyrich on the limited series, turned to some ‘40s classics for inspiration to capture the era’s glamorous vibe, including “Now, Voyager” (1942), “Casablanca...
“It all started with this idea of the Golden Age of Hollywood, which informed the color palette. It was Hollywood glamour, Golden Age of Hollywood, aspirational. It started with everything being [George] Hurrell-inspired, super glamorous and everything having a golden sheen. So that was the jumping off point for our color palette,” Sarah Evelyn told Gold Derby during our Meet the Btl Experts: Costume Design panel (watch above). “It was like gold, butterscotch, caramel and sort of worked itself into the rest of the rainbow.”
Evelyn, who worked with longtime Murphy costume designer Lou Eyrich on the limited series, turned to some ‘40s classics for inspiration to capture the era’s glamorous vibe, including “Now, Voyager” (1942), “Casablanca...
- 6/30/2020
- by Joyce Eng
- Gold Derby
As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.***"We are all in the gutter, but some of us are looking at the stars," Oscar Wilde as purred by George Sanders, is enough to make any film worth while.A friend of mine once appeared on a daytime quiz show, on which he was required to complete the quote from the word "...but..." His heroic stab at an answer was, "...but some of us belong there?" I suppose one of the achievements of Otto Preminger's The Fan, a 1950 film of Wilde's 1892 play Lady Windermere's Fan,...
- 6/23/2020
- MUBI
Another shut-in month is coming to a close in this dread Covid-19 season. We're trying to keep you entertained without new movies in theaters. Here are a dozen key posts from the month that was in case u missed 'em.
• Down With Love - Costume designer Daniel Orlandi shares his memories of working on this one of a kind romantic comedy and 60s riff
• Nightmare Alley - The fine original demands rediscovery. The remake might be interesting
• How to Build a Girl -Beanie Feldstein's star vehicle reviewed
• Over & Overs: Anatomy of a Murder - this courtroom drama so rewatchable?
• The New Classics: Two Days One Night -sublimely truthful Marion Cotillard
• Hot Emmy Contest -Lead Actress in a TV Miniseries? Super competitive!
• Loretta vs Roz - Two friends vied for Best Actress 1947
• 5 Things I Learned from Bob Mackie - Costume Designer Daniel Orlandi shares career advice for young movie...
• Down With Love - Costume designer Daniel Orlandi shares his memories of working on this one of a kind romantic comedy and 60s riff
• Nightmare Alley - The fine original demands rediscovery. The remake might be interesting
• How to Build a Girl -Beanie Feldstein's star vehicle reviewed
• Over & Overs: Anatomy of a Murder - this courtroom drama so rewatchable?
• The New Classics: Two Days One Night -sublimely truthful Marion Cotillard
• Hot Emmy Contest -Lead Actress in a TV Miniseries? Super competitive!
• Loretta vs Roz - Two friends vied for Best Actress 1947
• 5 Things I Learned from Bob Mackie - Costume Designer Daniel Orlandi shares career advice for young movie...
- 5/31/2020
- by NATHANIEL R
- FilmExperience
One Smackdown done, eight (gulp) more to go in our double-sized season! This thursday (May 28th) we're talking 1947. To maximize your enjoyment of these special events we recommend watching the films in question before the event and voting. To vote email us your ballot by May 27th with "1947" in the subject line and each performance ranked from 1 (weak) to 5 (perfect) hearts. Only vote on the performances you've seen but you still have time to see them all; there's only 4 movies this time around.
Ethel Barrymore in The Paradine Case - stream for free on Vimeo or YouTube Gloria Grahame in Crossfire - just $1.99/$6.99 to rent/buy on Amazon Celeste Holm And Anne Revere in Gentleman's Agreement - rent on Amazon/iTunes Marjorie Main in The Egg and I -rent on Amazon/iTunes
And Icymi -- Meet The Panel
Pssst. 2002 is our next Smackdown and that's coming quickly on June 16th...
Ethel Barrymore in The Paradine Case - stream for free on Vimeo or YouTube Gloria Grahame in Crossfire - just $1.99/$6.99 to rent/buy on Amazon Celeste Holm And Anne Revere in Gentleman's Agreement - rent on Amazon/iTunes Marjorie Main in The Egg and I -rent on Amazon/iTunes
And Icymi -- Meet The Panel
Pssst. 2002 is our next Smackdown and that's coming quickly on June 16th...
- 5/22/2020
- by NATHANIEL R
- FilmExperience
We're excited to bring you a new super-sized season of the Supporting Actress Smackdown. We just celebrated 1981 with an awesome panel and we're not slowing down. Next up is 1947. In two weeks time we'll be talking the Best Picture winner Gentleman's Agreement, Alfred Hitchcock's The Paradine Case, the noir Crossfire, and the countrified comedy The Egg and I on Thursday May 28th, right here. So watch those four flicks, won'cha?
We've gathered a panel of actors, industry types, and cinephiles for you. Ready? Let's meet the people who will be talking about the Oscars and actresses of 1947.
Returning To The Smackdown ...
We've gathered a panel of actors, industry types, and cinephiles for you. Ready? Let's meet the people who will be talking about the Oscars and actresses of 1947.
Returning To The Smackdown ...
- 5/14/2020
- by NATHANIEL R
- FilmExperience
The scrawny son of Jewish immigrants transformed himself into an icon of Us manhood – a narrative the nation is forgetting in the Trump era. Yet a darker side lurked too
Handsome, muscular, noble – not words that would automatically have been associated with a Yiddish-speaking schmutter-seller’s son whose family were not long off the boat from what is now Belarus. But we know better: in these nativist times, it is worth remembering that Izzy Demsky was the beneficiary of the ultimate Hollywood makeover: the scrawny, hustling scion of immigrants who evolved into Kirk Douglas, the acme of all-American manhood, and evolved once again into a sensitive, politically conscious standard-bearer for liberalism.
Douglas, who has died aged 103, became an unrecognisable figure from that of his childhood. His story follows a near-mythic immigrant arc that the Us has chosen to ignore in the Trump era. In this he was aided by physiognomy:...
Handsome, muscular, noble – not words that would automatically have been associated with a Yiddish-speaking schmutter-seller’s son whose family were not long off the boat from what is now Belarus. But we know better: in these nativist times, it is worth remembering that Izzy Demsky was the beneficiary of the ultimate Hollywood makeover: the scrawny, hustling scion of immigrants who evolved into Kirk Douglas, the acme of all-American manhood, and evolved once again into a sensitive, politically conscious standard-bearer for liberalism.
Douglas, who has died aged 103, became an unrecognisable figure from that of his childhood. His story follows a near-mythic immigrant arc that the Us has chosen to ignore in the Trump era. In this he was aided by physiognomy:...
- 2/6/2020
- by Andrew Pulver
- The Guardian - Film News
To a pin-drop silent audience at the winter TCA panel for her HBO limited series “The Plot Against America,” Zoe Kazan addressed the actions of her grandfather, director Elia Kazan — specifically when he named names to the House Un-American Activities Committee in 1952.
The show, based on Philip Roth’s novel of the same name, is set during an alternative history in which Charles Lindbergh is elected president of the United States in 1940 and plunges the country into an antisemitic hellscape. Kazan was asked about her family’s “history during this period” — which lead to Kazan asking if the reporter could be more specific.
“Your grandfather — I don’t want to bring up hard times for you, I’m sorry,” the reporter said.
“You’re not bringing up hard times for me,” Kazan said. “You’re bringing up hard times for our country.”
Then Kazan leaned down, braced herself against her chair,...
The show, based on Philip Roth’s novel of the same name, is set during an alternative history in which Charles Lindbergh is elected president of the United States in 1940 and plunges the country into an antisemitic hellscape. Kazan was asked about her family’s “history during this period” — which lead to Kazan asking if the reporter could be more specific.
“Your grandfather — I don’t want to bring up hard times for you, I’m sorry,” the reporter said.
“You’re not bringing up hard times for me,” Kazan said. “You’re bringing up hard times for our country.”
Then Kazan leaned down, braced herself against her chair,...
- 1/15/2020
- by Adam B. Vary
- Variety Film + TV
By now we all know that the film the Academy selects as the “Best Picture” of any given year is rarely the actual Best Picture, but some years it’s hard to explain why they picked what they picked. Never mind “Shakespeare in Love” beating “Saving Private Ryan,” because at least “Shakespeare in Love” is a handsome production with a witty script. Never mind “Dances with Wolves” beating “Goodfellas,” because at least “Dances with Wolves” is a respectable western. We’re taking a look at the films that we can’t watch, even in a vacuum, without cringing nowadays. And when you compare them with the nominees that didn’t earn the Oscar, it’s just plain hard to justify why the Academy voted the way it did.
“The Broadway Melody” (1929)
The second Best Picture winner, and the first synch sound movie to win the top prize, was innovative for the time.
“The Broadway Melody” (1929)
The second Best Picture winner, and the first synch sound movie to win the top prize, was innovative for the time.
- 1/7/2020
- by William Bibbiani
- The Wrap
Martin Scorsese has long been an admirer of Elia Kazan, and should he win the Golden Globe for helming Netflix’s mafia epic “The Irishman,” he’d tie his cinematic hero as the most rewarded director in the group’s history.
See Martin Scorsese movies: All 25 films ranked worst to best
Kazan currently holds the record for the most Best Director wins at the Globes with four victories out of as many nominations: “Gentleman’s Agreement” (1947), “On the Waterfront” (1954), “Baby Doll” (1956) and “America America” (1963). Both “Gentleman’s Agreement” and “On the Waterfront” brought him Oscar wins, while “America America” earned him Academy Award bids in Best Picture, Best Director and Best Original Screenplay (he also competed for “A Streetcar Named Desire” in 1951 and “East of Eden” in 1955).
Scorsese is close behind with three wins for “Gangs of New York” (2002), “Hugo” (2011) and “The Departed” (2006), for which he also won his first Oscar. He...
See Martin Scorsese movies: All 25 films ranked worst to best
Kazan currently holds the record for the most Best Director wins at the Globes with four victories out of as many nominations: “Gentleman’s Agreement” (1947), “On the Waterfront” (1954), “Baby Doll” (1956) and “America America” (1963). Both “Gentleman’s Agreement” and “On the Waterfront” brought him Oscar wins, while “America America” earned him Academy Award bids in Best Picture, Best Director and Best Original Screenplay (he also competed for “A Streetcar Named Desire” in 1951 and “East of Eden” in 1955).
Scorsese is close behind with three wins for “Gangs of New York” (2002), “Hugo” (2011) and “The Departed” (2006), for which he also won his first Oscar. He...
- 12/27/2019
- by Zach Laws
- Gold Derby
Martin Scorsese could be on cloud nine when the Golden Globe ceremony is over. The icon is on track to earn his ninth Best Director nomination, for his meditative mob epic “The Irishman,” but more importantly, if his name is in the envelope, he’d tie the record for most wins in the category at four.
Elia Kazan is the sole record holder, having converted all four of his nominations into wins for “Gentleman’s Agreement” (1947), “On the Waterfront” (1954), “Baby Doll” (1956) and “America America” (1963). Three other directors have a perfect record from multiple bids, but they’re all from two nominations: James Cameron (1997’s “Titanic” and 2009’s “Avatar”), Alfonso Cuaron (2013’s “Gravity” and 2018’s “Roma”) and William Friedkin (1971’s “The French Connection” and 1973’s “The Exorcist”).
See Martin Scorsese movies: All 25 films ranked from worst to best
Scorsese received the first of his eight bids for “Raging Bull” (1980), but like at the Oscars,...
Elia Kazan is the sole record holder, having converted all four of his nominations into wins for “Gentleman’s Agreement” (1947), “On the Waterfront” (1954), “Baby Doll” (1956) and “America America” (1963). Three other directors have a perfect record from multiple bids, but they’re all from two nominations: James Cameron (1997’s “Titanic” and 2009’s “Avatar”), Alfonso Cuaron (2013’s “Gravity” and 2018’s “Roma”) and William Friedkin (1971’s “The French Connection” and 1973’s “The Exorcist”).
See Martin Scorsese movies: All 25 films ranked from worst to best
Scorsese received the first of his eight bids for “Raging Bull” (1980), but like at the Oscars,...
- 12/6/2019
- by Joyce Eng
- Gold Derby
Sam Mendes really knows how to end a decade on a high note. Twenty years ago, he made his feature film directorial debut with “American Beauty” (1999), which went on to win the Best Picture Oscar, along with Best Director for Mendes — the most recent director to prevail for a debut. Now, he’s back with his World War I epic “1917” and is a massive contender to take home a bookend Best Director statuette, which would give him the longest gap between two wins.
Twenty-one people have scored multiple Best Director Oscars — 18 with two, two with three and one with four — but most have typically won two of them within a period of 10 years. Five have a gap of more than 10 years between two victories. The record is currently held by Billy Wilder, who won his two awards 15 years apart for “The Lost Weekend” (1945) and “The Apartment” (1960).
Two have a gap of 13 years: Fred Zinnemann,...
Twenty-one people have scored multiple Best Director Oscars — 18 with two, two with three and one with four — but most have typically won two of them within a period of 10 years. Five have a gap of more than 10 years between two victories. The record is currently held by Billy Wilder, who won his two awards 15 years apart for “The Lost Weekend” (1945) and “The Apartment” (1960).
Two have a gap of 13 years: Fred Zinnemann,...
- 11/27/2019
- by Joyce Eng
- Gold Derby
Virtually every usually-reliable indicator suggests that all of the women at the center of The Favourite — Olivia Colman, Emma Stone and Rachel Weisz — will receive Oscar nominations on Jan. 22. Should that happen, Yorgos Lanthimos' period dramedy will become only the 19th film in history to produce three or more female acting noms.
The prior titles to achieve this feat, the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library confirms, span from Gone With the Wind (1939) through The Help (2011). In between there were The Little Foxes (1941), Mrs. Miniver (1942), The Song of Bernadette (1943), Mildred Pierce (1945), Gentleman's Agreement (1947), I Remember Mama (1948), Come ...
The prior titles to achieve this feat, the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library confirms, span from Gone With the Wind (1939) through The Help (2011). In between there were The Little Foxes (1941), Mrs. Miniver (1942), The Song of Bernadette (1943), Mildred Pierce (1945), Gentleman's Agreement (1947), I Remember Mama (1948), Come ...
- 1/15/2019
- The Hollywood Reporter - Film + TV
Virtually every usually-reliable indicator suggests that all of the women at the center of The Favourite — Olivia Colman, Emma Stone and Rachel Weisz — will receive Oscar nominations on Jan. 22. Should that happen, Yorgos Lanthimos' period dramedy will become only the 19th film in history to produce three or more female acting noms.
The prior titles to achieve this feat, the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library confirms, span from Gone With the Wind (1939) through The Help (2011). In between there were The Little Foxes (1941), Mrs. Miniver (1942), The Song of Bernadette (1943), Mildred Pierce (1945), Gentleman's Agreement (1947), I Remember Mama (1948), Come ...
The prior titles to achieve this feat, the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library confirms, span from Gone With the Wind (1939) through The Help (2011). In between there were The Little Foxes (1941), Mrs. Miniver (1942), The Song of Bernadette (1943), Mildred Pierce (1945), Gentleman's Agreement (1947), I Remember Mama (1948), Come ...
- 1/15/2019
- The Hollywood Reporter - Movie News
Die Hard, Titanic, The Goonies and Field of Dreams are among the 25 films that have been added to the National Film Registry, the Library of Congress announced Wednesday.
Classic films like 1960's Spartacus, 1967's Guess Who's Coming to Dinner, 1947's Gentleman's Agreement and 1951's Ace in the Hole were also named to the registry, which "recognizes its importance to American cinema and the nation’s cultural and historical heritage."
"Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and inform us as individuals...
Classic films like 1960's Spartacus, 1967's Guess Who's Coming to Dinner, 1947's Gentleman's Agreement and 1951's Ace in the Hole were also named to the registry, which "recognizes its importance to American cinema and the nation’s cultural and historical heritage."
"Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and inform us as individuals...
- 12/13/2017
- Rollingstone.com
Die Hard, Titanic, The Goonies and Field of Dreams are among the 25 films that have been added to the National Film Registry, the Library of Congress announced Wednesday.
Classic films like 1960's Spartacus, 1967's Guess Who's Coming to Dinner, 1947's Gentleman's Agreement and 1951's Ace in the Hole were also named to the registry, which "recognizes its importance to American cinema and the nation’s cultural and historical heritage."
"Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and inform us as individuals...
Classic films like 1960's Spartacus, 1967's Guess Who's Coming to Dinner, 1947's Gentleman's Agreement and 1951's Ace in the Hole were also named to the registry, which "recognizes its importance to American cinema and the nation’s cultural and historical heritage."
"Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and inform us as individuals...
- 12/13/2017
- Rollingstone.com
Updated: Following a couple of Julie London Westerns*, Turner Classic Movies will return to its July 2017 Star of the Month presentations. On July 27, Ronald Colman can be seen in five films from his later years: A Double Life, Random Harvest (1942), The Talk of the Town (1942), The Late George Apley (1947), and The Story of Mankind (1957). The first three titles are among the most important in Colman's long film career. George Cukor's A Double Life earned him his one and only Best Actor Oscar; Mervyn LeRoy's Random Harvest earned him his second Best Actor Oscar nomination; George Stevens' The Talk of the Town was shortlisted for seven Oscars, including Best Picture. All three feature Ronald Colman at his very best. The early 21st century motto of international trendsetters, from Venezuela's Nicolás Maduro and Turkey's Recep Erdogan to Russia's Vladimir Putin and the United States' Donald Trump, seems to be, The world is reality TV and reality TV...
- 7/28/2017
- by Andre Soares
- Alt Film Guide
On this day in showbiz history
The Story of Miss Lonelyheart from Péter Lichter on Vimeo.
1913/1914 Did you know that Detective Doyle (Wendell Corey) and Miss Lonelyhearts (Judith Evelyn) from Rear Window shared a birthday? Now you do! (Uff, I love Rear Window so much)
1942 Rings on Her Finger, a screwball comedy starring Henry Fonda and Gene Tierney opens in theaters
1948 Gentleman's Agreement wins Best Picture at the 1947 Oscars but the enduring statues from that year are surely Edmund Gwenn's Supporting Actor win as Kris Kringle in Miracle on 34th Street and the Cinematography and Art Direction wins for the astounding Black Narcissus. What a picture!
1952 Vivien Leigh wins her second Best Actress prize at the 1951 Oscars for A Streetcar Named Desire. Absent from the ceremony, Greer Garson accepts for Vivien...
The Story of Miss Lonelyheart from Péter Lichter on Vimeo.
1913/1914 Did you know that Detective Doyle (Wendell Corey) and Miss Lonelyhearts (Judith Evelyn) from Rear Window shared a birthday? Now you do! (Uff, I love Rear Window so much)
1942 Rings on Her Finger, a screwball comedy starring Henry Fonda and Gene Tierney opens in theaters
1948 Gentleman's Agreement wins Best Picture at the 1947 Oscars but the enduring statues from that year are surely Edmund Gwenn's Supporting Actor win as Kris Kringle in Miracle on 34th Street and the Cinematography and Art Direction wins for the astounding Black Narcissus. What a picture!
1952 Vivien Leigh wins her second Best Actress prize at the 1951 Oscars for A Streetcar Named Desire. Absent from the ceremony, Greer Garson accepts for Vivien...
- 3/20/2017
- by NATHANIEL R
- FilmExperience
Dana Andrews movies: Film noir actor excelled in both major and minor crime dramas. Dana Andrews movies: First-rate film noir actor excelled in both classics & minor fare One of the best-looking and most underrated actors of the studio era, Dana Andrews was a first-rate film noir/crime thriller star. Oftentimes dismissed as no more than a “dependable” or “reliable” leading man, in truth Andrews brought to life complex characters that never quite fit into the mold of Hollywood's standardized heroes – or rather, antiheroes. Unlike the cynical, tough-talking, and (albeit at times self-delusionally) self-confident characters played by the likes of Alan Ladd, Edward G. Robinson, James Cagney, Humphrey Bogart, and, however lazily, Robert Mitchum, Andrews created portrayals of tortured men at odds with their social standing, their sense of ethics, and even their romantic yearnings. Not infrequently, there was only a very fine line separating his (anti)heroes from most movie villains.
- 1/22/2017
- by Andre Soares
- Alt Film Guide
Elia Kazan's third picture is a hard-hitting noir, a true story that honors the efforts of a noble States' Attorney when confronted with a murder case that was a little too open-and-shut. But a close read of the movie uncovers a miasma of social criticism, hiding behind the self-congratulating official narration. A great show. Boomerang! Blu-ray Kl Studio Classics 1947 / B&W / 1:37 flat full frame / 88 min. / Street Date November 15, 2016 / available through Kino Lorber / 29.95 Starring Dana Andrews, Jane Wyatt, Lee J. Cobb, Sam Levene, Arthur Kennedy, Cara Williams, Ed Begley, Taylor Holmes, Robert Keith. Cinematography Norbert Brodine Art Direction Richard Day, Chester Gore Film Editor Harmon Jones Original Music David Buttolph Written by Richard Murphy from an article in The Reader's Digest by Anthony Abbot (Fulton Oursier) Produced by Louis De Rochemont, Darryl F. Zanuck Directed by Elia Kazan
Reviewed by Glenn Erickson
In just his second movie, director...
Reviewed by Glenn Erickson
In just his second movie, director...
- 11/15/2016
- by Glenn Erickson
- Trailers from Hell
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.